Quote from: Georg Kovalcik on Today at 02:57:21 AM........and it´s still on their website:click any xcd lens you get the BUY NOW button. not with the 4/21
https://www.hasselblad.com/x-system/lenses/xcd-4-21mm/
Here in Europe dealers say it´s on back order with some stating a delivery in 3-4 weeks."
....
Quote from: michael123 on Today at 01:40:33 AMQuote from: pgh on May 06, 2024, 01:25:18 PM"The X-series is being attacked from two directions - Fuji 100MP medium format and 61MP 35mm full-frame. If Hasselblad doesn't act in the next 6-9 months, the only X shooters left will be us diehards on this forum."
Neither of these options is really any more compelling than they were when the x2d came out.
I can only state my specific use case, but I recently got an x2d after using a 907 kit for a few years. I really contemplated a used x1d2, but I wanted to get off the tripod more so the ibis was a selling point.
The main drawback is that I can't use my release cord - I truly hate using my phone during my photography. But again, this is for off the tripod. The 100 mp is nice, but 50 is plenty. I print fairly large fairly often. The added detail is cool but honestly makes no difference in the real quality of my work which is about seeing the world not reproducing it in the finest detail.
I work with m10 monochromes for a lot of my other work - which print with detail like a 60 mp sensor or better - and really have never felt a great need for over 40 mp. The hassies are nicer for their color and the range and the user experience. Fuji only can touch one of those. I'd even prefer my beater old m10 over the fujis because even it's 24 mp files print great under most conditions - even there my complaint is more about the range than the resolution. Still a great camera tho.
Just like I am not at all interested in an m11 mono or m12 or whatever the x2d seems mature enough to me that whatever future versions come out probably won't be too compelling for me. The 500 c/m was damn good for a damn long while and this seems the digital equivalent in some ways - at least for those of us who just want a good recording device that makes itself disappear. I'm old school but a camera is still basically just exposure and focus and light sensitive substrate to me. Ibis is the only new thing I find really useful.
Exactly the point
50 mp is over the roof and remote cord is essential for shooting on a tripod
Quote from: grotte on April 17, 2024, 07:21:15 AM2024 Solar Eclipse out of Kerrville, TX. X1D with CF500 and 2x Teleconverter.
Quote from: pgh on May 06, 2024, 01:25:18 PM"The X-series is being attacked from two directions - Fuji 100MP medium format and 61MP 35mm full-frame. If Hasselblad doesn't act in the next 6-9 months, the only X shooters left will be us diehards on this forum."
Neither of these options is really any more compelling than they were when the x2d came out.
I can only state my specific use case, but I recently got an x2d after using a 907 kit for a few years. I really contemplated a used x1d2, but I wanted to get off the tripod more so the ibis was a selling point.
The main drawback is that I can't use my release cord - I truly hate using my phone during my photography. But again, this is for off the tripod. The 100 mp is nice, but 50 is plenty. I print fairly large fairly often. The added detail is cool but honestly makes no difference in the real quality of my work which is about seeing the world not reproducing it in the finest detail.
I work with m10 monochromes for a lot of my other work - which print with detail like a 60 mp sensor or better - and really have never felt a great need for over 40 mp. The hassies are nicer for their color and the range and the user experience. Fuji only can touch one of those. I'd even prefer my beater old m10 over the fujis because even it's 24 mp files print great under most conditions - even there my complaint is more about the range than the resolution. Still a great camera tho.
Just like I am not at all interested in an m11 mono or m12 or whatever the x2d seems mature enough to me that whatever future versions come out probably won't be too compelling for me. The 500 c/m was damn good for a damn long while and this seems the digital equivalent in some ways - at least for those of us who just want a good recording device that makes itself disappear. I'm old school but a camera is still basically just exposure and focus and light sensitive substrate to me. Ibis is the only new thing I find really useful.
Quote from: Georg Kovalcik on May 06, 2024, 09:42:57 PMWhich does not mean it´s discontinued. You can order it with a delivery time of 3-4 weeks.If it's not in the store, how would you order it? A dealer might have surplus stock - unlikely as it seems. I'm only asking as I'm curious as to why you say it's not discontinued. I actually own this lens.